The three-by-seven grid and the Sephiroth

I have been working with this layout of the 21 numbered trumps of the Tarot de Marseille.

I arranged the cards in three rows and seven columns for practical reasons. The dimensions of the above image are roughly 3×4, making it convenient to display the whole thing on a computer screen, to print it out on a piece of A4 paper, or to lay the cards out that way on a table. Three columns and seven rows would be a much more awkward 1×4.

Nevertheless, three columns seems more correct conceptually, as it calls to mind the three columns of the Tree of the Sephiroth. Actually, the standard 10-sephirah Tree of Life (absent Da'ath, which presumably corresponds to the Fool) arranges the sephiroth in three columns and seven vertical levels. If we overlay that on our three-by-seven grid, ten of the trumps would be mapped to sephiroth. Ther are four logical ways this could be done: We could start at the Kether level and move down or start at the Malkuth level and move up; and within each level we could go from left to right or from right to left. The most promising mapping starts at the Malkuth level and goes from right to left.

A few of these mappings are obvious "hits." Netzach means "victory," and that is the traditional meaning of the Chariot -- called, in the first known listing of the trumps, Lo carro triumphale, "the chariot of triumph." Yesod, "foundation," is mapped to the Pope. The first pope is supposed to have been St. Peter, of whom Christ said, "upon this rock I will build my church" (Matt. 16:18).

Most of the rest of the mappings are at least understandable and defensible. The first and highest sephirah, from which all the others emanate, is mapped to the Angel, called "Judgment," but representing the love of God. Chokmah, representing direct inspiration, fits well with the bolt from the sun; while Binah, representing reflective wisdom, is well symbolized by the reflected light of the Moon. Geburah, called the "left hand of God" meting out punishment, is the Devil. Tiphareth, "beauty," maps to the beautiful woman subduing a lion, and Hod, "glory," to the Hermit with his blazing lantern. At the gestalt level, the left and right columns correspond to yin/feminine and yang/masculine, as they should.

The only really jarring mapping is between Chesed, "mercy, kindness, benevolence," and Death.

The first row of the three-by-seven grid

In my last post, I discussed this layout of the 21 numbered trumps of the Tarot de Marseille.

In that post, I focused on the second row and suggested that is seven cards represent the Seven Heavenly Virtues: Prudence (the Papess), Faith (the Pope), Justice, Fortitude, Temperance, Hope (the Star), and Charity (the Angel).

The first row also seems to make sense as an orderly progression. The Magician with his wand becomes the Emperor with his scepter. We see this man with crown and scepter again the Chariot, where he directs a wheeled vehicle drawn by two animals -- horses in the classic Tarot de Marseille, but sphinxes (human-animal chimerae) in the deck of Jacques Viéville and those influenced by him. On the next card, the Wheel of Fortune, we see all the same elements: the wheel, the crowned ruler (now a sphinx himself), and the two animals or hybrid creatures -- but the ruler is no longer in control, and his position at the top is no longer stable. The wheel will turn -- there will be a revolution -- and he will fall. The next card, l'Arcane sans nom, shows the aftermath of this: a severed head on the ground, still wearing his crown. After the fall of the individual ruler, the fall of the institution itself: On the next card, a blast from the sun "decapitates" a tower, the top of which resembles a crown, and two young men fall to the ground. The final card in the series seems to show the aftermath of this: the Sun, which destroyed the tower, dominates the scene, and we see the two young men, naked, and behind them a low wall suggesting the ruins of the tower.

Could the "moon" be Betelgeuse?

In my last post, I mentioned that Sirius and Procyon -- possibly represented by the two dogs or jackals on the Moon card -- form a triangle with a third very bright star, Betelgeuse.

Betelgeuse is red, and the moon is also mostly red in many Tarot de Marseille decks. Could the "moon" actually be Betelgeuse?

The obvious question is why a star would be represented with a waxing crescent shape on it -- but the Tarot itself offers a possible answer. Betelgeuse is the right shoulder of Orion.

On the Chariot card, the charioteer's right shoulder also bears a waxing crescent with a face, very similar to what we see on the Moon.

The problem remains that the dogs are in the wrong position. If Betelgeuse is at the top, Sirius (the larger, bluer dog) should be on the right, and Procyon on the left. If the "moon" is Betelgeuse, the Moon card shows a mirror-image of the Winter Triangle.